Twitter for Writers

Hi all!

This week I'm going to talk about Twitter. It's a popular social media platform which makes it easy to interact with your fans and follow other authors. It's also great for marketing your book or author platform. However, the way you act can either make you or break you on Twitter.

Don't spam.

This is true for any social media. No one wants their feed filled with the same post by the same person over and over. Not only is it boring, but it will make followers more likely to unfollow you to clear their feed.

Don't ignore your followers.

Interact! Like, retweet and comment on posts. Not only will you make some friends, but your followers will be happy to talk to you.

Don't constantly post about your books.

Mix it up. Pin your latest book at the top of your profile so it's the first tweet people see when they click on your name. Only post about your book for announcements, promotions and launch dates. There's no need to post about your book several times a day, the thousandth tweet won't make people more likely to buy your book.

Be courteous.

The writing community is amazing on Twitter, I've met so many lovely people on there. Don't be horrible, it will get you blocked and turn people away from your books.

Don't pretend to be better than everyone else.

We're all in the same boat as writers, you don't need to put people down in order to elevate yourself. You'll lose followers.

Don't blast people on Twitter.

Get rejected by an agent? That's a shame, but you don't need to expose them on social media. Agents talk, they will not want to take on someone like that. Someone left you a negative review? Again, take it as a learning curve. Don't moan about them for everyone to see.

Don't follow people, wait for them to follow back, then unfollow.

It's rude, some will remember you if you follow them again. If you don't want to interact with them, don't follow.

Don't brag.

Please don't brag about how well your book is doing constantly and how much money you're raking in. It's not attractive. Writers who struggle don't want that thrust in their face every time they go on your profile. To be proud of your achievement is fine, but if every tweet is you talking about how great your book is people will unfollow.

Don't use it as a platform to hate others.

Once a tweet is out there, you can't take it back. Be careful what you post. 

Don't blindly follow everyone who follows you back.

I know it can be hard to check everyone when several people follow you at one time but it is worth it. If you follow blindly you don't know who you're following and what they promote. Always check to make sure you're comfortable following them.

Don't ignore people because they write in a different genre.

No genre is better than the other. I've seen a lot of romance and erotica authors feel down because some people don't interact with them for writing in those genres. We're all writers, we shouldn't exclude anyone.

Don't bash publication routes.

Traditional Publishing? Great! Just don't bash indie authors for their choice or claiming that your book is better. This is the same for indie authors, don't bash the traditional ones. Just because they got a contract doesn't mean that you are superior to them. Whatever route you go down is your choice so you shouldn't harass others for theirs.

Don't compare yourself to others.

People will have more followers than you. They will have more book sales, better reviews. Don't put yourself down because of it. If people like your work, they will follow you.

Don't instantly message people book links as soon as they follow you.

More likely than not, this will result in an unfollow. It's annoying and it doesn't work. You need to build up a fan base, not thrust your book into everyone's face.

Be kind.

There are so many people on Twitter and you don't know all their struggles. Be kind, always. You never know what friends you will make.

That's it for this week! The next post will be my goals for 2019, which includes news about the Elemental Dragons series. See you next week!

Don't be Ashamed to Write Fanfiction

Hi all,

This week I'm going to talk about Fanfiction, and why you shouldn't be ashamed to write it.

Firstly, Fanfiction is when someone writes a story using a book's setting, plot or characters. Most people write about their own original characters, or 'OCs' and how they would fit into this world.

I've seen a lot of authors being shamed online for writing Fanfiction, as they are using someone else's ideas and changing the plot.

There's nothing wrong with that.

As long as they source the original work and express that it is fan made, there is no harm done. They also don't try to sell these works because that would breach copyright. 

Fanfiction is a fun way to write without having to worry about doing all the world building yourself, it's already been done for you. It's a great way to improve your writing skills and also inspire you to come up with your own original work. I started off writing Fanfiction for my favourite book series, Warriors by Erin Hunter. I still love those books to this day (though I really need to catch up with some of the newer books).

Were they badly written?

Yes, but seeing as I wrote Fanfiction from thirteen to eighteen I could see the improvement.

Were there spelling errors?

You bet.

Did you use OCs?

Yep, creating OCs in the Warriors universe helped me greatly with personality and character flaws.

Did readers like the characters?

Yes, people loved my characters. When I left the site because of my schoolwork I passed one of my characters, Bouncepelt, to one of my most loyal readers.

Was the story good?

Kinda.

Do you regret writing it?

Not at all.

I wrote four Fanfiction novellas because of those books, I think I only managed to finish three before I had to stop to concentrate on my studies. It was a great creative outlet and I met so many lovely people from writing Fanfiction. It really improved my writing, as I just had to focus on nailing my characters because the background and rules had already been written. Although I look back on it now and cringe at how bad it is, I'm still glad that I loved a book series so much that I wanted to write about it and share it with the world.

Do not be ashamed to write Fanfiction.

It's not a bad thing at all, it's lovely to see authors expanding on someone else's work. I love reading Fanfiction, I think I've read more Fanfiction this month than books!

Of course, not all Fanfiction is good.

But, I'm the other hand you can go into any book store and pick up an awful traditionally published book or scroll through Amazon and find an unedited mess of an ebook. Shaming someone for reading Fanfiction does not make you look good. Plus, coming up with original ideas all the time can be exhausting. Why not take a break but also fulfill your writing needs at the same time?

I've also seen some of the following as to why people don't regard Fanfiction as 'proper' writing:

- It's copyright.

- Authors don't like it.

- You're stealing someone's work.

- You're not coming up with any ideas yourself.

- It's lazy.

- All Fanfiction is poorly written.

None of the above are true. Fanfiction is an important creative outlet, and I'd encourage people to write Fanfiction about my work if they were that inspired by it. Most authors are flattered that people love their work so much, so don't be afraid of backlash.

In conclusion, if you want to write Fanfiction, do it. If you don't want to, don't. But neither side should be shaming the other for their choice. We need to support each other no matter the writing route we take.

Thank you for reading this week's post! Did you ever write Fanfiction? Share in the comments!

Ways to Spot a Vanity Publisher

Hi all!

As promised, this week's blog post is about vanity publishers.

First off, what is a vanity publisher?

A vanity publisher is a publishing house where authors pay a high fee to get their book published. Unlike hybrid publishers, they do not give you a high quality product in return or help with marketing. Many vanity publishers attempt to disguise themselves as hybrid publishers, but don't do a good job of doing so.

Here are a few ways you can spot a vanity publisher:

They charge extremely high fees.

Most will charge in the thousands to produce your book. This is supposed to cover the costs of editing, marketing, printing and distribution. However, most of the books come out as low quality and difficult to read.

When you Google their names, hundreds of bad reviews come up.

Look at what other authors have to say. Have they received a horrible book in return for a £4000 fee? Run. These people are not trying to destroy a legitimate business, they are warning others against making the same mistakes.

You pay thousands for their logo to be slapped on your book.

That's it. They don't pay for anything. You simply give them money to have their logo on your book for 'exposure' to their fan base. This is a scam, you will pay for everything else as well. You're basically a self publisher who sunk thousands into a company who let you slap their image on your cover. Not worth it.

Their other books are poor quality.

If other authors are left with a shoddy book, so will you. They will pay as little as possible to editors and cover designers, so don't expect your book to look professional.

They follow a lot of people on social media but very few follow back.

You can tell when a vanity publisher is looking for new authors as they might go on a following spree to make more people notice their business.

They approach you directly to submit.

You might get a message from them telling you that they're interested in your project and would like you to submit. But how do they know your project is right for them? They don't! They're just preying on authors who want to achieve their dream of publishing.

There's little, or no, criteria for submitting.

Anything goes, from picture books to erotica. Many publishing houses focus on a few genres and try not to mix the age ranges inappropriately. If they accept anything and everything in one department, there's a high chance they'll take anything they can get for money.

No one seems to get rejected by them.

Everyone who submits gets accepted. Strange, huh? The more clients they accept, the more money they make. They're highly unlikely to turn potential clients away.

They accept you, then send a contract asking for money.

Publishers do not accept money from authors to publish books. The author only pays for their own marketing, unless they're going down the hybrid route.

They publish a lot of books, but don't sell many.

Why would they need to? They've taken your money, they don't need to actually well books to make a profit, they just charge their clients.

Their books aren't in book shops.

If you can't find any of their titles in book shops despite the claims that they distribute to them, they don't distribute. Ask the shop owner. Have they heard of the publishing house? Have they ever stocked any of their books?

When pressed for more information, they get defensive.

If you ask a few questions about any queries you have that might shine them in a bad light, they'll get defensive or stop talking to you completely.

Their website is under another business name.

This means that they have changed the name of their business. It's usually a way of them hiding the fact that their previous name was a vanity, so they think that a change of them might trick new clients. Make sure to check online if they've changed their name for a legitimate reason.

That's it for this week! Feel free to share any stories you have about vanity publishers in the comments!

The Truth Behind Writing 'Myths/Rules'

Hi all!

This week I'm going to be talking about writing myths, hope you enjoy!

Writing is a solitary experience.

No, it's not. Social media is a brilliant way for authors to contact each other, not to mention there are write-ins and events for authors to go to.

It's an easy way to make money.

If you're in it to make easy money, you're in the wrong industry. It's tough to write books and it's even tougher to sell them.

You're either born a writer or aren't.

I hate hearing this one. Practice makes perfect, if you want to master something you have to keep doing it. Trying to put people off by saying they can't be a writer because they aren't 'born' with it is stupid.

You need connections in the industry to get anywhere.

Not true, most authors have no connections in the industry before they publish a book. The ones that do are the lucky ones, but even that doesn't guarantee success.

Authors need to compete with each other.

No, we don't. Support writers, don't compete with them. Someone has not stolen 'your chance' because they got an agent or published a book. There is always room for more authors.

All writers are introverts.

Nope, this is a big misconception. Although I'm an introvert myself, I know a lot of extroverted writers. Personality does not dictate whether you can write or not.

Writers need to write every single day.

If you do this, you'll burn out quite quickly. Setting a writing goal is important as it can keep you on track, but it doesn't need to be an every day thing. Some people blow this way out of proportion by not feeling like a writer if they take a day off. Don't worry, your story isn't going anywhere. You can and must take a break every once in a while.

The first book an author writes gets published.

I've heard this a lot too, and it's quite often not the case. Some authors shelve multiple projects before getting published.

Agents are unnecessary in traditional publishing.

In traditional publishing you will more likely than not need an agent. Although there are publishers who accept unsolicited manuscripts, you need to keep your options as open as possible. Agents can negotiate contracts and support you during the publication process, they are there to help, not hinder you.

You need to pay your publisher to get traditionally published.

This is called a vanity publisher. Do not give them money. More often than not you will get a poorly designed and edited book in return. They will not support you at all, they just see you as a money machine. Many will ask that you pay thousands up front to publish your book. If you are contacted by one or accidentally submit, do not sign a contract with them.

You don't need an editor.

Unless you are 100% accurate at spotting all spelling errors, grammar mistakes, plot holes and cliches I highly recommend getting an editor. Mine was absolutely brilliant, although it can be hard to see your work get torn apart it is so worth it to see the final product. Readers will be able to spot a professionally edited book from a mile off. Don't put people off your future book because you didn't want an editor.

Book covers don't matter.

Book covers are the first thing a reader sees. You need to make sure it's professional and appropriate for your genre. If you're writing crime, then putting a glowing wolf on the cover wouldn't make much sense, would it?

You can only write one genre.

You are not a one trick pony. If you want to write in another genre, do it. There's nothing holding you back, it will bring you new readers and also give you opportunities to have a change of scenery every once in a while.

Characters cannot ___.

I've seen a lot of variants of this. Whether it be sighing, shrugging or rolling their eyes. Ignore these, you write your characters however you want. Just make sure you have a variety.

That's it for this week! Next Sunday I'm going to delve into vanity publishers a bit, seeing as there have been a few pitch parties on Twitter. I've been 'liked' twice by vanity publishers in a pitch party, so I just want to share with you how to spot them before you submit.

See you next week!

Write What You Want to Write

Hi all!

This week I'm going to talk about, in my opinion, the best writing advice out there.

Write what you want to write.

When I was a teenager and looking into publishing I came across so much bogus advice from authors and publishers alike. Most said that you need to write to market, rather than whatever you feel like writing.

This is 100% not true.

The market changes so quickly that there's no point in writing to trends. Unless you're able to pump out a publishable book in under six months and get it out there the market will move on.

Yes, publishers and agents do keep an eye on what sells well and they will try to get similar books, but don't write something that will become insignificant in a year's time just for the sake of it. Writing what everyone else is writing doesn't make you stand out whatsoever.

So that's why I write what I want to write. If I enjoy it, I'm sure someone else will too. Writing what you want to write has so many benefits, such as:

- Enjoying the writing aspect of your work, not just reading it.

- Finding an audience that enjoys the subjects you write about for years to come.

- Less time stressing about how quickly you write, edit and publish a book.

- Not having to worry about passing trends.

Agents and publishers do keep an eye on the market to stay fresh, but that doesn't mean they want hundreds of the same story being thrust at them. They want originality and variety as well. They also know that to keep up with the trends you have to publish quickly, while many like to take their time with editing and author marketing.

Plus, what's the point in writing something that you don't enjoy?

If you don't enjoy what you're writing, it will reflect in your work. When you love something it adds a passion to your work that you struggle to recreate if you're bored.

If I had listened to this advice, then I would have scrapped Blood and Water to write something I'm really not interested in. I may not be still writing today if I hadn't continued doing what I wanted to do.

Don't get sucked into trends, concentrate on what you love. If you love it, others will love it too. It doesn't matter if a book about vampires is big at the moment, if your romance story is the complete opposite keep at it. 

After all, it just takes one book to change the market.

How do you know that your book won't be the one to start a trend? Your book could be the one that everyone wishes they had written first. You never know unless you finish writing it.

Thank you for reading! I just want to say a big thank you to everyone who cheered me on during NaNoWriMo as I managed to hit 83,156 words! Congratulations to everyone else who participated too, it doesn't matter if you hit 50K or not, we've all got something to work with!

Next week I'm going to debunk writing myths, so if you've got any that you want me to research then please leave them in the comments.

See you next week!

Why I Hated GCSE English at School

Hi all!

This is a sort of part two to last week's post about why I didn't do a creative writing degree. Before I start I just want to say good luck to everyone on the last push for NaNoWriMo!

Anyway, on with the story.

I didn't always hate English, it was only when I got to secondary school in the middle of year ten (that's fifteen years old for anyone confused). I had a lovely teacher who was funny and tried to make the classes interesting for us.

Then she left.

Her replacement did not like me. As a quiet kid, I used to just keep my head down and get on with the work, but that was terrible according to her. She loved the loud kids who always disrupted the class but absolutely despised anyone who never spoke.

Because of my anxiety, I was the biggest target in the class.

It started off small, with her giving me the occasional glare as I sat in the front row (because she wanted to keep an eye on me). Eventually she moved me further back because she found me 'too self centered' to put my hand up.

Pretty soon it evolved to her picking on me in class and picking apart any answer I gave, which did absolutely nothing for my anxiety and only heightened my depression because I thought I was stupid.

At some point though, she decided to step it up a notch. She thought none of us could spell so she started setting spelling tests in class. I knew how to spell pretty well, so it didn't worry me too much. 

Then she marked it.

She would deliberately mark my correct spellings as incorrect and write the same word next to my correctly spelt one. I thought it was my handwriting, so I wrote them in capital letters so she could read them properly.

Nope.

She marked my correctly spelled word as wrong, and wrote the incorrect spelling next to it. It really irked me to see that I was getting dragged down because of it. I checked my friend's spellings, and she spelled it the same as me and got marked right. So the teacher knew the correct spelling, knew I had done it correctly, but penalised me anyway.

I wasn't happy, but my mum refused to complain and told me to suck it up.

So, I did.

The next big thing was when we had to create a PowerPoint and present it in front of the class. I was terrified.

We had to talk about one of our hobbies, and I chose writing. Throughout my entire presentation she ignored the people talking over me and kept snapping at me to get in view of he camera (they had to be recorded for some reason). Once I was finished she tapped the table impatiently as she waited for the other teacher to give me a score. I got a B which I thought was great, until they mentioned that the teacher decided to mark me down because of my nervous mannerisms. I usually touch my hair a lot and stutter when I present in front of people, and she decided that was bad enough to mark me down. No one else got marked down for being nervous.

Another incident happened when we had to do a group project, which would be part of our overall grade as well. Like I said in the last post, no one really liked having me in their group so I just got stuck with whoever. To get the grade we had to discuss a topic and write notes on it, it was to test our speaking and listening skills.

So, as soon as I joined the group, the other members kicked off when they found out we would all get graded the same, no matter who displayed more skills. I really, really tried to speak as much as I could but I was just so nervous and everyone else kept ignoring me or speaking over me. We all got Cs, which I was pretty happy with because I passed. The others in my group were the A and A* lot, so they were not happy to get a C.

I could see from the absolute look of disgust on their faces that they weren't happy. When the grades were announced the teacher let us chat for a bit, which meant that my group were just talking smack about how useless I was and I was ruining their future. 

I wanted to cry.

The teacher saw this going on, and encouraged them. She went over and apologised that I had dragged them down and she would be having words with me. She told them not worry however, because people like me always end up working for people like them so they'd get the last laugh.

Somehow I managed to last another year in that class before a light appeared at the end of the tunnel: the creative writing exam. 

I was ecstatic.

I couldn't wait to actually enjoy an exam for once, and practice my writing while I was at it.

Of course, she had to ruin it somehow. First she told me that you should never, ever describe a character. Apparently the reader doesn't care. I knew that was a load of crap and described them anyway. She tore me apart in front of the whole class for daring to describe one of my characters as having dark skin. Some people called me racist for including that character as the teacher told them that you can only write characters the same skin colour as you or you're racist.

Second, I didn't know what a semicolon was. She jumped on that in no time, she convinced me that semicolons are to be used in every sentence instead of commas. This confused the hell out of me and I replaced all commas with semicolons. Looking back I think I'm so stupid for listening, because it cost me a few extra marks.

Anyway, once my GCSEs were done I decided that I was not going to allow myself to be treated like that in such a hostile environment. She ruined my favourite subject for me, I just couldn't do it any further. I did not want to get ridiculed by someone like her again.

So I didn't do it at A Level, instead I chose subjects that made me happy.

I don't regret it, because I was a little bit more relaxed in these subjects and I was treated better.

Anyway, sorry for another depressing story but I think it's important that people realise that the tiniest actions can have huge consequences. Especially on teenagers. Be kind and encourage them, don't bring them down.

I haven't decided on a subject for next week so keep your eyes peeled!

Why I Didn't Do A Creative Writing Degree

Hi all!

This week's post is about why I didn't go to university and do creative writing, it's another personal story which goes into a bit more depth about my mental health when I was younger.

I didn't really know what I wanted to do after finishing school so I decided to go on to do my A Levels. I chose Georgraphy, History and Philosophy and Ethics because I really enjoyed learning about them with my GCSEs. Once I was into my second year of that I was puzzled as to what I wanted to do. I was too scared to go straight into work, as I thought no-one would hire me due to my anxiety. But I was also afraid of going to university because I hadn't been treated the best at school and I didn't want another three years of misery.

After scrolling through universities I found a course that I might be able to do near where I lived: Creative Writing. The best part is, it was 100% writing, no English A Level required! (I hated English in school and there's a pretty big reason why I didn't pursue it further - but that's a different story).

They had an open day coming up, so timid seventeen year old me signed up.

Big mistake.

On the day of the open day I went to register, and to my horror, the day before they changed the course. It's now Creative Writing AND English.

Strike one.

Reluctantly I proceed to the talk with my mother in tow (I brought her for emotional support because in was so anxious). Once I got in the room, there were two other people there, both looking to pursue a career in writing.

They were a lot more confident than me, asking questions and talking about their writing throughout the talk. The talk consisted of a PowerPoint with modules of the course. They mostly encouraged writing of crime, thriller, mystery, literary and women's fiction. When asked about fantasy, sci-fi and horror (my favourite genres) we were told that they were dying out so there's not much point learning about them.

Strike two.

At the end, they decided to go round the room to talk about our writing. I can't remember exactly what the other two said just because I was so scared to speak. When it was my turn, I managed to blurt out that I wrote a book: Blood and Water, unnamed at the time. The lecturers were intrigued, asking about how many words I wrote and how long it took me. They were disappointed to learn it was fantasy, but were willing to overlook it because I committed to writing a book.

The other two on the course did not like that.

The other girl, same age as me, brought the attention back to herself by casually throwing out there that she was writing her THIRD book, which she had 'forgotten' to mention before. Everyone was sucked into her little story, but I wasn't buying it. We're all in the same boat, there's no need for authors to compete with each other, especially by lying.

Strike three.

At the end of the talk the lecturer made us hand over our email addresses so she could add us to her mailing list.

Strike four.

She then recommended we do some reading to get a one up on everyone else applying: her books. We were also told to leave reviews (most likely positive).

Strike five.

On the ride home, after having a panic attack, I decided not to apply for university. Especially after the dirty looks the other two had given me upon learning that I had written a book at seventeen. I didn't want to spend another three years being isolated by my peers and frightened of my lecturers. I didn't want to participate in group projects anymore, as they were my worst fear. In school no-one wanted me in their groups so I had to wait until everyone had picked groups to ask the teacher to put me in one. After the inevitable kick off from the group I would be left to work by myself while they ignored me. I knew at university the lecturers would leave me to sort it out on my own, but with the poor state of my mental health I needed more support.

I also didn't want my alopecia to flare up anymore than it already had. It didn't help that the teachers didn't really care what I did, my career advisor ignored my emails after a while and the head of sixth form read everyone else's university applications but mine. I decided that the world was against me and floated through the rest of the year.

Of course, it all worked out in the end! I did a fantastic apprenticeship for a year and I still work there full time now! I don't regret my decision at all.

Next week I'll talk about why I hated the English subject when I was in school, as a sort of part two to this post.

See you next week!

Self-Publishing vs Traditional Publishing

Hi all!

Before we start I just want to give an update on NaNoWriMo, I'm now at 28,043 words at the time of writing this. I hope everyone taking part is doing well too!

Now onto this week's blog post, self-publishing vs traditional publishing.

First, traditional publishing.

This is where authors land an agent and get published through a publisher rather than doing it themselves. This can be a very long and gruelling process however just because of how hard it is to get an agent's interest.

Pros:

- You get support every step of the way.

- You get help from editors and cover designers who will make sure your book is perfect.

- Publishers already have an established fan base to reach out to.

- Marketing will be slightly easier, as the publisher will advertise your book on their site and get it into book stores.

- You don't pay for anything apart from marketing on your end. If you're asked to pay for a book cover or editor out of your own pocket, run. They are mostly likely a vanity publisher.

- Many traditionally published books can be put up for a lot of awards.

Cons:

- You can't keep complete creative control. If the publisher doesn't like a certain part of your book, you will be asked to rewrite it.

- You have little control over the cover design. If you hate the cover, then there's no guarantee that the publisher will change it.

- You get less royalties. Because you're going through an agent and a publisher they will take a chunk of your royalties.

- It can take years for your book to be published.

- Querying is tough, there's no guarantee someone will pick up your book.

- If you're book doesn't do well, the publisher may drop you.

- There are loads of vanity publishers out there who will ask for an outrageous fee to publish your book. Then they will give you no help whatsoever with marketing and you'll be left with a poor quality book. Make sure you research carefully.

Second, self-publishing.

This is where authors decide to publish a book themselves instead of going through traditional publishing. Some authors query then self-publish. Others traditionally publish and self-publish.

Pros:

- You keep full creative control.

- You get to design the cover however you want.

- More royalties. Because you're not paying anyone else, you keep the majority of the royalties depending on where you publish.

- You can publish at your own pace. No more deadlines! But I would highly recommend that you publish often to keep readers interested.

- Marketing is in your control. If you're an introvert, you don't have to do talks if you don't want to!

- You can target e-books exclusively, you don't need to worry about printing your book if you don't want to.

- It's easier to run price promotions, you can pick how much you want your book to sell for.

- You get perks for exclusively publishing with one site, for example; Amazon.

Cons:

- It's expensive. Editing, cover design and marketing costs will all add up.

- You get no help with marketing, you have to do it all yourself.

- It's hard to get noticed without an established fan base.

- You have to compete with the thousands of other kindle books in your genre by self published authors.

- Unless you're willing to invest more money into your books, you'll have to stick with e-books. Getting books into print is a risky business, you might not sell all your copies and you'll be left with a loss.

- Not many book stores are willing to stock indie books.

- Not many awards accept indie books for entry, so don't self-publish if you want your book to be showered with awards.

The important thing here is that there is no right or wrong way to publish. Do whatever works best for you. You are still an author no matter what route you choose, you just have to think hard and do lots of research before committing to one.

I haven't decided on a post for next week yet, so come back for a surprise next Sunday!

Why Rejection is a Good Thing

Hi all!

Before we dive into this week's blog post I just wanted to say good luck to everyone participating in NaNoWriMo! It's my first time this year, and I hope to hit that 50K! My username is Jessica Turnbull If anyone wants to add me as a writing buddy. If you're unsure what NaNoWriMo is, it's National Novel Writing Month. You have the month of November to write 50K.

Anyway, on with the blog post!

Rejection is a big part of being an author.

Behind every book is a story of rejection.

Some authors decide to self publish after being unable to break into the traditional publishing world, which is what I'm also doing. This doesn't mean we gave up, we just decided to take things into our own hands. Some authors just decide to skip querying entirely to self publish.

Whether you've just started or are in the middle of querying, you aren't alone. Thousands of other people are going through the same thing.

Every single one has received that dreaded email in their inbox.

A rejection.

Rejection is normal, everyone gets rejections from literary agents and publishers, it's just a part of the publishing world. It doesn't mean your work is terrible, it just means that particular agent or publisher didn't like it.

But, rejection can help you improve.

After receiving a few rejections, you can look back over your query and first chapters and ask yourself a few questions.

Is my query strong enough?

Do my opening chapters pull in the reader?

How can I make this better for the next round of queries?

Those are all brilliant questions, as they can help you look at your work in a new light. Yes, your manuscript may not be perfect in your eyes anymore, but a fresh outlook can help you spot errors and plot holes.

Some rejections contain feedback from the person you submitted to. These are called personalized rejections.

A personalized rejection is a golden nugget for an author, as you can then see what needs improving. They may even tell you what they like and how you can fix what they don't.

These rejections are rare, but make sure you take the advice on board. Even if you don't agree with all of it, make revisions on what you agree with. You may change your mind when revising.

Now, onto negative rejections.

These rejections are also rare, but can be soul destroying. Instead of simply saying 'no' or not sending a generic email in reply, they pull you and your writing apart in a horrible way. These type of rejections do not help the author, and instead poke fun at you or the manuscript and can even tell you to stop writing altogether.

Do not listen to these rejections.

They are horrible, yes, but it saved you from working with someone with such a negative attitude towards their clients. If they act so negatively in an email to a potential client, then just imagine what the people who work with them go through.

I have received one of these rejections so I know what it's like. They said they loved the concept, but hated my writing and urged me to pass on the idea to someone with 'talent'.

Of course, I didn't listen. I just added that agency to my 'do not submit list' and moved on. It stung, but don't let these rejections put you off writing. Don't let them bully you out of doing what you love.

After receiving a rejection, do NOT do any of these things:

- Reply telling them what a mistake they're making.

- Post the rejection on social media, and encourage bullying of the agency or publisher.

- If you get a different agent or publisher, do not brag to the ones who rejected you.

- Do not name the publisher or agency on social media.

- Do not submit to another agent at that agency unless the guidelines say you can.

That's it for this week!

Next week I'm going to talk about traditional vs self publishing. Although I am self publishing, I want this blog to help authors who want to either self publish or traditionally publish, so I will make posts about both.

See you next week!

The Pros and Cons of Mailing Lists

Hi all!

As promised, this post will be about the pros and cons of setting up an email list.

Firstly, what is an email list?

An email list is a list of people who have subscribed to you. They can receive emails, promotions, announcements etc. You can send an email daily (though I wouldn't recommend it), weekly or monthly to keep your subscribers interested in what's going on.

Possible subjects to add in your emails to subscribers:

- Book announcements.

- Snippets of any current projects.

- Links to latest blog posts.

- Links to social media.

- Progress updates.

- Cover reveal.

- Short stories.

- Writing tips.

- Pictures of anything related to your writing.

So, let's get started on the pros.

You can reach your target audience easily

Once you have their email, they will get updates about latest books and promotions. Since these people signed up to your list, they are more likely to buy your books in the future. Plus, you don't have to track them down, they come to you!

It's an easy marketing strategy

It doesn't take much effort to draft an email and send it out compared to buying ads or getting people to review your book. You choose how often you email, and what is in it.

It's a great way to communicate with subscribers

Some subscribers will email you back and ask questions which you can talk about in your next email, you can easily build a rapport with your subscribers this way and build a connection.

You can easily recruit a launch team

A launch team is a group of people who get an early copy of your book to review before it comes out. They can also help you promote it on social media and blogs. The best part of having an email list is that some of your subscribers would be happy to receive an early copy of your book to review.

You can track how many people open your emails

This is great because you can then see which emails are getting higher open rates and tweak your future emails accordingly.

Now, the cons.

You'll need a P.O. Box if you don't want your personal address on your emails

Due to anti-spam laws in many countries you are required to put your physical address on every email you send. I'm not comfortable with people knowing where I live, so I'm setting up a P.O. Box. Depending on where you live, this can add an extra expense to your budget.

Your emails might land in spam boxes

This can lead to some of your subscribers not seeing your emails, which can be a loss of revenue if you're announcing an upcoming book.

It can get expensive

Depending on the amount of subscribers you have and how many emails you send a month, you might need to sign up for more expensive plans with your list provider. This can get expensive if you don't have the budget for it.

You'll need a reader magnet

To get people to sign up for your list you have to give them something in return. If you don't, a lot of people won't be interested in subscribing so you can potentially lose a lot of revenue. Possible ideas for a reader magnet:

- Free book.

- Free short story.

- Writing resources.

If you email to little or too much, you'll lose subscribers

You need to make sure you hit the sweet spot when it comes to emailing. Email too little and people will get bored and unsubscribe. Email too much and people will get sick of it and unsubscribe. I'd recommend one email a week with extra ones only for book launches.

You may have noticed that I have yet to set up an email list for my website, but I'm working on it. Once I've got my P.O. Box sorted I'll add a pop-up which you can sign up to. I'll send one email weekly with snippets of my current WIP, a link to any new blog posts and a segment which I'm calling 'Mishie Monday' where I'll add a picture of Mishka in every email. 

You may be thinking about what you'll get in return. Don't worry, because once you sign up to my list I'll send you THREE short stories contained in the Elemental Dragons universe! Keep an eye out for that sign up from!

Next week I'm going to talk about rejection. I'm sure many of us have submitted to agents and publishers and received a rejection in return. Although it may seem like the end of the world, it can actually help you make your manuscript better.

See you next week!